Serveur d'exploration Debussy

Attention, ce site est en cours de développement !
Attention, site généré par des moyens informatiques à partir de corpus bruts.
Les informations ne sont donc pas validées.

Post-Exposure Effects of Music-Generated Vibration and Whole-Body Acoustic Stimulation among Symphony Orchestra Musicians

Identifieur interne : 000A49 ( Main/Exploration ); précédent : 000A48; suivant : 000A50

Post-Exposure Effects of Music-Generated Vibration and Whole-Body Acoustic Stimulation among Symphony Orchestra Musicians

Auteurs : Warren Brodsky [Israël]

Source :

RBID : ISTEX:2996805756D6BE6BFA1A51CEA8F7822D08BB5EBA

English descriptors

Abstract

Fifty-four professional symphony orchestra musicians randomly assigned to one of three conditions (No-Music, Music-Alone, or Music + Vibration) received eight individual 50-minute sessions over a period of eight weeks. Sessions consisted of a regimen involving relaxation exercises, verbal conversations, and semi-structured visual imagery tasks, while seated in the Somatron Acoustic Massage?TM Power Recliner. Non-significant between-group differences were found in regard to subjects' Profile of Mood States scores during individual sessions and between the sessions across time. Nevertheless, significant group differences were found for both Music-Alone and Music + Vibration conditions when compared to the No-Music condition, as well as between the two music conditions themselves. These differences surfaced from a content analysis of session transcript data. Most specifically, the musicians exposed to Music + Vibration stimulation demonstrated increased subjective level of relaxation, intensified depth of verbal narrative, and multiplication of visual scenes within imagery tasks.

Url:
DOI: 10.1177/0305735600281007


Affiliations:


Links toward previous steps (curation, corpus...)


Le document en format XML

<record>
<TEI wicri:istexFullTextTei="biblStruct">
<teiHeader>
<fileDesc>
<titleStmt>
<title xml:lang="en">Post-Exposure Effects of Music-Generated Vibration and Whole-Body Acoustic Stimulation among Symphony Orchestra Musicians</title>
<author wicri:is="90%">
<name sortKey="Brodsky, Warren" sort="Brodsky, Warren" uniqKey="Brodsky W" first="Warren" last="Brodsky">Warren Brodsky</name>
</author>
</titleStmt>
<publicationStmt>
<idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:2996805756D6BE6BFA1A51CEA8F7822D08BB5EBA</idno>
<date when="2000" year="2000">2000</date>
<idno type="doi">10.1177/0305735600281007</idno>
<idno type="url">https://api.istex.fr/document/2996805756D6BE6BFA1A51CEA8F7822D08BB5EBA/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">002158</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">002158</idno>
<idno type="wicri:Area/Istex/Curation">002157</idno>
<idno type="wicri:Area/Istex/Checkpoint">000981</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">000981</idno>
<idno type="wicri:doubleKey">0305-7356:2000:Brodsky W:post:exposure:effects</idno>
<idno type="wicri:Area/Main/Merge">000A52</idno>
<idno type="wicri:Area/Main/Curation">000A49</idno>
<idno type="wicri:Area/Main/Exploration">000A49</idno>
</publicationStmt>
<sourceDesc>
<biblStruct>
<analytic>
<title level="a" type="main" xml:lang="en">Post-Exposure Effects of Music-Generated Vibration and Whole-Body Acoustic Stimulation among Symphony Orchestra Musicians</title>
<author wicri:is="90%">
<name sortKey="Brodsky, Warren" sort="Brodsky, Warren" uniqKey="Brodsky W" first="Warren" last="Brodsky">Warren Brodsky</name>
<affiliation wicri:level="1">
<country xml:lang="fr">Israël</country>
<wicri:regionArea>Department of the Arts, Ben-Gurion University of the Negev, Israel, P.O. Box 653, Beer-Sheva 84105</wicri:regionArea>
<wicri:noRegion>Beer-Sheva 84105</wicri:noRegion>
</affiliation>
<affiliation wicri:level="1">
<country wicri:rule="url">Israël</country>
</affiliation>
</author>
</analytic>
<monogr></monogr>
<series>
<title level="j">Psychology of music</title>
<idno type="ISSN">0305-7356</idno>
<idno type="eISSN">1741-3087</idno>
<imprint>
<publisher>Sage Publications</publisher>
<pubPlace>Sage CA: Thousand Oaks, CA</pubPlace>
<date type="published" when="2000-04">2000-04</date>
<biblScope unit="volume">28</biblScope>
<biblScope unit="issue">1</biblScope>
<biblScope unit="page" from="98">98</biblScope>
<biblScope unit="page" to="115">115</biblScope>
</imprint>
<idno type="ISSN">0305-7356</idno>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt>
<idno type="ISSN">0305-7356</idno>
</seriesStmt>
</fileDesc>
<profileDesc>
<textClass>
<keywords scheme="Teeft" xml:lang="en">
<term>Science collections</term>
</keywords>
</textClass>
<langUsage>
<language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
<front>
<div type="abstract" xml:lang="en">Fifty-four professional symphony orchestra musicians randomly assigned to one of three conditions (No-Music, Music-Alone, or Music + Vibration) received eight individual 50-minute sessions over a period of eight weeks. Sessions consisted of a regimen involving relaxation exercises, verbal conversations, and semi-structured visual imagery tasks, while seated in the Somatron Acoustic Massage?TM Power Recliner. Non-significant between-group differences were found in regard to subjects' Profile of Mood States scores during individual sessions and between the sessions across time. Nevertheless, significant group differences were found for both Music-Alone and Music + Vibration conditions when compared to the No-Music condition, as well as between the two music conditions themselves. These differences surfaced from a content analysis of session transcript data. Most specifically, the musicians exposed to Music + Vibration stimulation demonstrated increased subjective level of relaxation, intensified depth of verbal narrative, and multiplication of visual scenes within imagery tasks.</div>
</front>
</TEI>
<affiliations>
<list>
<country>
<li>Israël</li>
</country>
</list>
<tree>
<country name="Israël">
<noRegion>
<name sortKey="Brodsky, Warren" sort="Brodsky, Warren" uniqKey="Brodsky W" first="Warren" last="Brodsky">Warren Brodsky</name>
</noRegion>
<name sortKey="Brodsky, Warren" sort="Brodsky, Warren" uniqKey="Brodsky W" first="Warren" last="Brodsky">Warren Brodsky</name>
</country>
</tree>
</affiliations>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000A49 | SxmlIndent | more

Ou

HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000A49 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    DebussyV1
   |flux=    Main
   |étape=   Exploration
   |type=    RBID
   |clé=     ISTEX:2996805756D6BE6BFA1A51CEA8F7822D08BB5EBA
   |texte=   Post-Exposure Effects of Music-Generated Vibration and Whole-Body Acoustic Stimulation among Symphony Orchestra Musicians
}}

Wicri

This area was generated with Dilib version V0.6.33.
Data generation: Tue Sep 25 16:34:07 2018. Site generation: Mon Mar 11 10:31:28 2024